Emacs: The Infinite Program or The Ultimate Interview

An Emacs’ configuration is an Emacs Lisp (Elisp) program. Whether you write it by hand or using the Easy Customization GUI it is still a program. Some of us write it once and never touch it for years. I’ve done that and it works well. Some of us make changes daily, even hourly. I’ve done that too and it works well. When non Emacsers hear stories about this never ending program they shudder in horror and I don’t blame them. Configuring a text editor for multiple years does sound horrible! What is really happening here though, are all Emacsers sadists?

No, not really. Instead they are creators, makers, writers, and weavers of that which can be easily represented as plain text. They are programmers, too. Of course, that is the easy one! Unfortunately, that is the one that instantly kills any conversation (in some contexts). What people miss out on though is that its not just programmers who use Emacs. So do composers. So do publishers. So do finite element analysts. So do pen testers. So do screenwriters. So do hardware designers. Every Emacs configuration is an opportunity to learn something about something totally new to you! What comes to mind here is where Emacs configurations might play a role in interviews.

One of the stories going around is that during job interviews you should be able to cite an open source project so your interviewers can review it. Great idea. Does it ever really happen? (I’m looking for your feedback here). My Emacs’ configuration is a labor of love. It contains perfection, neglect, and horror. It is all a trade-off. Every single line means something to me and I’d love to share with anyone interested why I did what I did there. It is fun to share because you always learn something new. Every single time you learn something new when you mutually share.

This is my story why Emacs’s is an infinite program that would reveal more during a job interview than any personality profiling test out there.

Chapter 16. Object Control With Grids And Guides 10:59

  • Option-Drag an object to create a copy
  • Grid
    • Configure line separation in pixels
    • Can snap to them
  • Guides
    • Use Rulers
    • Command R
    • Click-and-Drag from a ruler pulls out a guide
    • They are objects that you can delete
    • Shift-Options changes orientation of guide
    • Are guides for lining up symbols per keycap?
    • Can put them all in one layer
    • Can turn objects into guides
    • Strategy: Easily split objects using a guide
      • Drag down a guide
      • Position it
      • Turn the guide into a line via Release Guide
      • Keep the object selected
      • Object → Path → Divide Objects Below
      • Creates two new objects
      • Easily cut via any guide anywhere
    • Guides are more than aligning
      • Cutting
      • Maneuvering
      • Angling
  • Right click just about anything to find out what you can do with it
    • Sometimes stuff in lecture isn’t there in current AI

Chapter 15. Using View And Navigation Features 7:46

  • Had been watching every video twice just be sure. Switched to once otherwise this will take forever
  • Mastering AI is about making navigation muscle memory
  • Access tools via their single-key shortcuts
  • Option modifies the tool actions in an expected way
  • Double-clicking using the cursor will reset to the default state of the document
  • Additionally learn the shortcuts for menu-bar items
    • Zoom in and out Control plus and minus
  • Navigator panel rocks!
    • Helpful for navigating a keyboard template!
    • Box color is configurable
    • Art-boards are introduced in context of the panel
  • Getting where you want to go quickly and automatically is a big deal

Chapter 12. Working Toward Printing 4:42

  • Create documents with their intended destination
  • When your destination is a printing-press if you want graphics printed up to the edge of the final size of the paper you need to consider that printing presses can’t press up to the edge so you print to a larger sheet of paper that is cut down to the desired size. The bleed is the addition to the page size that will be cut down from.

Chapter 10. Generating User-Defined Workspaces 5:54

  • The workspace is the layout of panels in your application
  • Add, remove, drag off, tab together, stack and dock them in, next to, and on top of each other
  • Save your workspace with a name
    • Easily restore it
    • Love it
  • Implement your personal workflow here
    • Can’t wait for setting up a keycap workspace
  • Menubar lists all panels available
  • AI is so easy and nice to use

Chapter 9. The Illustrator Control Panel 3:29

  • That bar between the top section and the main area is called the control panel
    • Andy called it the control panel
  • You can let it float or drag it to the top or bottom
  • Provides context-sensitive information and control on the selected object
  • First part of the area remains the same
  • Second part of the area changes per-tool
  • Anything colored orange pops up a panel right there instead of on the right side
  • When you do a select all you can bulk transform all object fills and strokes mapping one color to another
  • Can add and remove controls from the control panel
  • Master this!

Chapter 8. The Illustrator User Interface 5:28

  • All about the user interface
  • Menubar: Pulldown menus
    • Click-and-do
  • Top
    • Bridge management
    • Arrange files differently
    • Workspaces: Pre-set screen configurations of Panels
  • Below-Top: Options Bar, for what you are doing
    • Configuration for the tool that you are using
    • Options bar: Possible things that can be on the bar
  • Left: Tools
    • Hover over a tool to get a popup with the keyboard shortcut for the tool
    • Arrow on lower right corners means that there is more to do
      • Access via
        • Click and hold
        • Option-Click cycles through the options
      • Can rip that off into its own menu to be positioned anywhere
  • Objects are composed of fills and strokes, that is the box and donut
  • Screen modes controls full-screen-ness
  • Panels
    • Pre-configured via Workspace
    • On the right side
  • Bottom: Artboard
    • Select them
    • Shows type tool
    • Customizable by clicking on arrow in the bar for each section